Showing posts with label SAA. Show all posts
Showing posts with label SAA. Show all posts

Monday, January 5, 2015

Summer Suzuki Institutes

(or as one clever student years ago called it, Suzuki Institutions :/ )

A few weeks ago, as we are settling down for a few weeks of relaxation and rest, the Suzuki Association of Americas (SAA) sent out a list of all the week-long Suzuki Institutes spanning North America occurring from late May through mid August. (The events in Latin America are not included but for those who may be interested, those events typically happen in January through March and the SAA also has a current list.) Just when we think we can relax for a moment, something else to start thinking about and planning pops up!

I briefly discussed Suzuki Institutes, and more specifically the Greater Austin Suzuki Association Institute, in a previous post but wanted to elaborate a little bit more on the topic as it relates to all Suzuki Institutes. 


What is it? Essentially, a Suzuki Institute is a week-long, summer Suzuki 'camp' or program for students of all ages and abilities. However, it's not just for students. Just as parents are pivotal in the success of the Suzuki Method, parents are also equally important and equally involved in a child's participation at a Suzuki Institute. Parent involvement is a must - which means accompanying your child through a day of Suzuki activities, including group class, masterclass-style lessons (more on that later), technique or repertoire classes and recitals. However, knowing that parents are part of this process, Institutes often offer parent programs, such as parent lectures, book clubs. Plus, they offer the inherent social aspect (y'all know how big I am on social interaction) - there are many other parents at the Institute, all with the commonality of Suzuki, that you have an opportunity to interact with daily and share your experiences with during the course of the week. In addition, if you are a repeat offender and return to the same institute yearly, you begin running into the same families, who are often from different cities, states or even countries, that you get to catch up with and again, share your experiences, successes and failures not only from the past week but from the past year.  


Ultimately, Institutes provides the opportunity for students and parents (and teachers!) to further their understanding of the philosophy and teachings of Dr. Shinichi Suzuki. It allows parents to see the success of the Suzuki approach on a much larger scale and to enhance the skills they need to help their children learn. Suzuki Institutes began with Dr. Suzuki himself in Japan and was imported to the United States in 1971. The American Suzuki Institute at the University of Wisconsin at Stevens Point is the oldest Suzuki summer institute outside of Japan and continues to carry on the tradition year after year. 

Students participate (depending on their level, give or take) approximately 15 hours of instruction in one given week, instead of the minimum of half an hour that typically occurs during the school year. During those 15 hours, students and parents participate through a daily class schedule that includes a masterclass, a technique/musicianship class and a repertoire class. While your child is learning cello in all three of these, the focus is slightly different for each. In addition to these classes, most institutes offer 'electives' or enrichment classes, a class designed to give students, especially younger ones, some downtime from the intense learning environment. Plus there's always time to go run around outside and get some pent up energy out before the next class. 

A masterclass is an individual lesson (though shorter in length than your regular lesson) that is observed by other students, parents and teachers. Typically there are 3-4 students in a masterclass, each getting a daily lesson of about 15-20 minutes. Also, the lesson tends to have a theme or a point that is refined throughout the week, such a focus on the bow hold, or upgrading tone. 

The technique/musicianship class is a slightly larger group class of students with similar abilities all working on specific skills needed to play pieces. Teachers delve more deeply into specific techniques related to the bow and left hand or specific musical skills. 

Repertoire classes are group classes including all the students (big kids, too, if it's a smaller institute) intended to polish pieces and practice playing together for the final group concert. 

Why should I put myself through this? Because it's AMAZING!
Yes, it's intense. Yes, it's a long day. Yes, it's a long week. Yes, it's a lot of cello/music/Suzuki/time with your child(ren). Yes, it means you have to participate, too, which means a week off your normal schedule. But it's soooooo worth it and ends up being such a rewarding experience for both parent and child. I personally think it's such a cool thing to witness what a child can do during one intense week - a lot can happen in such a short period of time!

Different approaches
In addition, students get an opportunity to work with teachers that are not their weekly lesson/group teachers. Experiencing a new teacher, learning new insights or perhaps hearing the same thing approached a different way is another fantastic learning experience for students and parents. Maybe the way I communicate an idea doesn't resonate with a student, but the way another teacher explains it does. Great!!! The Suzuki method is great in that students all learn the same repertoire so not only can students from all across the world play the same pieces together but teachers from all across the world can instruct students on a deep and highly skillful level. Plus, I'm not even touching the subject of social learning situations where students learn a ridiculous, insane amount from watching others have a lesson in masterclasses or participate in group class. 

Protect what you've worked SO hard on!
I'll reserve the bulk of this discussion for a later post but it also helps protect students against the summer 'brain-drain' when organized and frequent learning opportunities almost suddenly come to a halt. Students who don't continue to practice, refine and use their skills will lose them. The saying 'use it or lose it' really does apply in our case, especially since cello learning is a highly physical skill combined with critical thinking and the need for cognitive engagement. 

Teacher Development
While the Institutes are seemingly focused on the student classes, there is also the teacher development side going on simultaneously. I won't elaborate too much as its not really relevant information for your child but I do want to make you aware that Suzuki Institutes are also training grounds for Suzuki teachers. While students are participating in their classes, teachers are also engaged in intense learning environments up to 15 days long, playing and dissecting the Suzuki repertoire, learning how to teach it and the Suzuki philosophy to others and observing master teachers work with younger students. The same teachers that are working with your students are also conducting the teacher training courses so not only do Institute teachers know how to teach your child, they also know how to teach professional musicians how to teach your child. These teachers are truly master teachers, training not only little cellists on how to be musicians but also teaching professional cellists how to be thoughtful, skillful and engaging teachers. It's an awesome cycle and community, these institutes. 

Specific Institutes We Austinites are very fortunate to have a Suzuki Institute in our own city, many thanks to my colleagues, tireless and eternally devoted teachers, who make it happen. It's a fantastic opportunity for students and parents of every level. Greater Austin Suzuki Association Institute (GASA), not unlike other Suzuki Institutes taking place across the continent, is a week-long, summer Suzuki 'camp' for students of all ages and ability. While this particular institute is conveniently located in Austin, there are many, many across the country and globe every summer. If you are looking to make a family vacation out of it, there are many options. The Chicago Suzuki Institute is an AWESOME institute for cello students - there are students of all ages and abilities, from pre-Twinkle past Book 10. Similarly, the National Cello Institute in Claremont, California features classes and activities for students of all ages (adults, too!) and abilities, including those waaaaay past Book 10. The ability to go to a Suzuki institute and see the wide spectrum of ability levels displayed right in front of you and your child is a powerful motivator. Others include, Hawaii, Colorado, Canada, Latin America, etc. I know many families (including myself) how've made vacations out of attending a Suzuki Institute. The first time I attended the Chicago Suzuki Institute, I had a BLAST - it's always over the Fourth of July and while there is a celebration on campus at the Institute as well as in nearby Evanston, I headed to Navy Pier and Millennium Park in downtown Chicago to watch the festivities with my relatives who live in Chicago. That's another way to do it - work it around visiting and staying with family. That also helps cut down on the hotel/institute accommodations. 

When is this happening?Why do I bring this up now, in January, when some of these programs don't start until July or even August? Registration for some of the earlier institutes has already opened and the early bird tuition is pretty reasonable. After that, it tends to jump up, especially if you are looking at an out-of-state institute and need accommodations. Just like many summer camps, now is the time to be thinking about your child's possible participation in a Suzuki Institute this summer.

For 2015, the Austin Suzuki Institute will be held on July 28 through August 1. Tuition for the programs starts at $450 (for early bird registration). Each institute is it's own independent 'business' that is approved by the SAA, so you'll need to check each individual institute for program rates and accommodations. 


Monday, December 1, 2014

Parents as Partners


At the beginning of every new year, the Suzuki Association of the Americas presents an online video series for parents and teachers called Parents as Partners. Below is the information from the latest Suzuki e-news email. This year's Parents as Partners features a number of local Austin Suzuki teachers. 

"Exciting talks are being planned for the 2015 Parents as Partners Online series! Whether you are a parent in need of some fresh inspiration or a teacher looking to guide your parents further, you won’t want to miss this unique learning opportunity. Beginning on January 15 new videos will be aired each week—a total of 50! They will be available for viewing 24-7 through June 30. We are pleased to announce a sampling of the new talks being presented:
  • Acceptable Tension (Merlin Thompson)
  • Advice and Encouragement for Suzuki Parents (Brittany Gardner)  
  • Battling Perfectionism and Creating a Growth Mindset (Jentry Barrett)
  • Building a Lasting Partnership with your Child’s Teacher (Holly Smardo)
  • Cultivating Belief (Christy Paxton-Tureman)
  • Dry Ideas! Make it visual using the dry erase board (Lucy Shaw)
  • Funny Stories of Dr. Suzuki (Carol Dallinger)
  • Forget Soccer, I want to practice! (Zachary Ebin)     
  • Helping Students Take Ownership of their Musical Journey (Shu-Yi Scott and Cecilia Calvelo-Hopkins)
  • Humor in Suzuki (William Starr, Amy Gesmer-Packman, Heather Hadley, Florence Muller)
  • Implications of Working Memory for Practicing and Learning (Rafael Videiro)
  • Is your Child Talented? (Kathleen Spring)
  • Learning to Practice with Joy (Alicia Randisi-Hooker)
  • Let it Go! (J.B. Taylor) 
  • Lower your Expectations, Delight in the Results (Sara Kotrba)
  • Moms of Tweens are Suzuki Parents Too! (Diane Slone)
  • More Creative Color Coding: How a package of markers can help to revive your review (Phala Tracy) 
  • Motivating Teens as Parents and Teachers  (Christine Lowe-Diemecke and Augusto Diemecke) 
  • Motivar a los Adolescentes como a los Padres y Maestros (Christine Lowe-Diemecke y Augusto Diemecke)
  • Our Suzuki Practice (Jason and Barbara Hill)
  • Ownership (Ed Kreitman)
  • Pardon the Interruption (Ed Sprunger)
  • Play it again Sam: How to implement listening in home practice (Jennifer Burton)
  • Pop your Ears! (Alyssa Hardie Beckmann)
  • Prioritize! (Meret Bitticks)
  • Promoting Optimism in the Practice Room (Sue Baer)
  • Raising Independent Musicians (Mark Mutter)
  • Real Review: Using Listening and Review to Build Technical Skills (Daina Volodka Staggs) 
  • Simple Suzuki Stretches (Joanna Binford)
  • Setting Intentions: from the perspective of parent and teacher (Carrie Reuning-Hummel and Natalie Brandt) 
  • Tech Talks: Bringing Your Suzuki Experience Up-To-Date With The Latest Gadgets and Apps (Ian Salmon)           
  • Teens, Tenacity and Technique (Nicolette Solomon and Donna Davis)
  • The Best Teacher Gift Ever! (Lucy Shaw)
  • The Ripple Effect: Small Ideas with a Big Impact (Shana Guidi)
  • Why Posture Matters Every Day! (Cecilia Calvelo-Hopkins) 
  • ¡Por que la Postura Importa tanto Cuando Tocamos! (Cecilia Calvelo-Hopkins)
  • And more to come!                            
Stay tuned for important registration information in future Suzuki e-news! Costs are listed below.

Studio
Teacher (you!) plus your studio parents.
Note: Parents do not need to be SAA members, but are encouraged to join.
$50 for teacher plus 1 to 5 parents, $10 for each additional parent
Individual
$25 for SAA members, $45 for non-members"

If you are interested in participating, let me know! I will gladly register the studio. Also, exciting news! Some Suzuki books are available on iTunes! Check out the link below!

Monday, November 17, 2014

Music Activities Outside Private Lessons

I've mentioned previously in many posts that a large component of the Suzuki philosophy is the benefits of social interaction with other students in a musical learning environment. Below are three different opportunities available in Austin for group music learning.

String Project
The University of Texas String Project is a large program run by Dr. Laurie Scott and a faculty of music students in the Butler School of Music. There are two distinct but related programs within the String Project (SP). One is the full-time program in which students take weekly private lessons with one of the String Project faculty members as well as participates in the weekly Saturday classes . Saturday-Only students participate in Saturday classes but have a teacher (such as myself) outside of SP. 

SP runs on the same schedule as UT so the semesters are more condensed than a typical school semester - the fall classes run from September through the first week of December and the spring classes run from January through the first week of May. Plan on approximately 12 group classes per semester, taking into account holidays and spring break. 

A typical Saturday schedule looks like this:
10-10:50 Group Class (by ability)
11-11:50 Musicianship Class

Group classes are separated by ability. Preschool aged beginners participate in the Cadet Program. Older beginners are placed in either the Pre-Ensemble A or Pre-Ensemble B (PEA & PEB). PEA is for beginners aged 6 and up & PEB is for students who have some playing experience and are playing the early Suzuki pieces, such as Twinkle, French Folk Song and Lightly Row. PEA & PEB has all string instruments in the one ensemble - it is a heterogenous ensemble so your child will be playing with violins, violas, other cellos and basses. It's an introduction to playing in a mixed group. 

However, Beginning Cello Ensemble A and Beginning Cello Ensemble B (BCEA & BCEB), the next higher ensemble above PEA & PEB, are homogenous group classes that have only cello students participating. This is very much like a traditional Suzuki group class. 

Above BCEA & BCEB, students go into the orchestras. You can read more about the different orchestra on the SP website here. 

If your child participates in orchestra, the schedule is slightly different (and a longer morning): 
9-9:50 Technique & Repertoire Class for each orchestra (separated by instrument)
10-10:50 Orchestra (there are 4 different orchestras based on ability level)
11-11:50 Musicianship Class

The Musicianship classes are organized by age, not by ability, and the curriculum features age-appropriate musical activities, such as music and movement for younger children and music reading, music theory and composition for older children. 

In addition to group classes, student participate in a variety of different performance opportunities at String Project. There is a performance at the end of every semester and the fall semester includes an Eclectic Styles Festival featuring a different style of music outside of the traditional 'classical'. 

There are limited number of spaces however, as of publication of this post, I believe there are still spaces available for Saturday-only students. The space fluctuates from year to year based on the number of teachers on faculty in the program. All the teachers at UT students and vary from undergraduate music education students, to PhD and doctoral students. 

Students interested in participating must audition for the director of the program but it's a very relaxed and easy audition - Dr. Scott just wants to make sure each student goes into the appropriate group class. If you are interested in participating in SP, contact them via email or phone (listed below). Also, talk with me! I taught in String Project while I was at UT, I know many of the teachers and keep in contact with the director. In addition, I know the ins and outs of the program and can help with the application and audition process. 
Austin Youth Orchestra

Austin Youth Orchestra (AYO) is an orchestra program for students aged kindergarten through grade 12. There are 6 different orchestras to accommodate different levels of experience, playing ability, and age:
  • Symphony Orchestra: Grade 8 and above, String/Full Orchestra (Fall and Spring)
  • Philharmonic Orchestra: Grade 6 and above, String/Full Orchestra (Fall and Spring)
  • Sinfonietta Orchestra: Grade 4 and above, String Orchestra (Fall and Spring)
  • Camerata Orchestra: Grade 3 and above, String Orchestra (Fall and Spring)
  • Intermezzo Orchestra: Grade 2 and above, String Orchestra (Fall and Spring)
  • Concertante Orchestra: Kindergarten and above, String Orchestra (Spring only)
  • Refer to the website for more information about each level. 
The big qualifier for participating in an AYO ensemble is music reading experience. SP and the GASA Suzuki Institute (more info below) do not reading music reading experience. However, AYO does, even for the youngest orchestra. Though only limited music reading experience is needed, students need to have some experience and be playing in Suzuki Book 1. Each orchestra meets once a week at a location in Austin (usually at one of the middle or high schools) and give performances on a regular basis. In order to participate, students must audition for orchestra placement. The audition requirements is performing a polished solo but scales and sight-reading may also be required. The cost of participating in AYO is $100 per semester. 

Greater Austin Suzuki Association Institute
The GASA Suzuki Institute is a week-long, summer Suzuki 'camp' for students of all ages and ability. The website says it best: 

"The program is designed for violin, viola and cello students who currently study through the Suzuki Method, offering activities for students, parents, and teachers.  Families attend the Institute together and participate in a wide range of musical and enrichment activities including master classes, repertoire classes, group classes, orchestra, recitals, and much more!"

Students participate in masterclass-style lessons (individual instruction within a small group), group class, performances and elective classes in addition to daily recitals and other enrichment activities with teachers from both the Austin-area as well as outside Austin. Every year, the faculty is a little different. See a sample schedule here. There are also lectures geared towards parents as well as training opportunities for teachers. The catch: parents must attend with their children all day. It's much like a Suzuki lesson - parents attend, take notes and learn what to practice with their child at the end of the day.

While this particular institute is conveniently located in Austin, there are many, many across the country and globe every summer. If you are looking to make a family vacation out of it, there are many options. The Chicago Suzuki Institute is an AWESOME institute for cello students - there are students of all ages and abilities, from pre-Twinkle past Book 10. Similarly, the National Cello Institute in Claremont, California features classes and activities for students of all ages (adults, too!) and abilities. Others include, Hawaii, Colorado, Canada, etc. The Suzuki Association of the Americas website has a list of every institute across the Americas. 

For 2015, the Austin Suzuki Institute will be held on July 28 through August 1. Tuition for the programs starts at $450 (for early bird registration). 

All of these opportunities are enriching, rewarding, and enjoyable and provide students with a unique opportunity to learn music and participate in musical activities with their peers. I hope your children are able to participate in some of these and experience the many benefits of group class